The past few months have gone by between the pages of a number of philosophical texts and books on literary theory, in addition to my usual fare of modern and contemporary Japanese fiction. I don’t have any prior experience with literary criticism as a discipline, so reading about the history of literary theory has been new and challenging. Equally new and challenging, I could say, have been my little forays into more classical Japanese literature since the start of the New Year holiday.
In Japan there is a well known New Year’s game called Hyakunin Isshu (百人一首) or Uta-garuta (歌ガルタ) [see here] which uses a collection of 100 classical poems by the same name. Each poem is divided onto two cards. The goal of the game is to match the phrases correctly. This is done by first arranging all the cards that display the bottom phrases of a poem on the floor or a table. Then, one player reads off the upper half of a poem, and the other players compete to claim the bottom half of the same poem from the pile.
I first heard about the game in high school, and was totally blown away by, well, how cultured it seemed. My admiration remains, although I still haven’t even gotten around to reading, let alone memorizing, the collection of poems. Both Y and I have been interested in learning how to play, and during our stay with her former host family in Sasayama in late December the topic came up. Y’s host mother jokingly suggested that we all play a round–an idea that was quickly chuckled away. But then, Y’s host mother introduced to us one of her favorite poems from the collection, and it quickly became a favorite of ours as well. (Poem 15, by Koko Tenno)
君がため 春の野に出でて 若菜摘む
kimi ga tame haru no no ni idete wakana tsumu
waga koromode ni yuki wa furitsutsu
As for the meaning, while I’m sure a quick search would lead to many professional and amateur translations, I decided to just make two poetic translations of my own. Of the two, the first one below recreates, in my mind, an atmosphere closer to that of the original poem, while the second rendition protects the meter (because why not?). In both renditions I’ve moved the first phrase and placed it after the third.
Out into spring fields
I go to gather herbs
Upon my sleeves
Snow falls gently
Out into spring fields
I venture to gather herbs—
A present for you
Upon my outstretched sleeves, look:
The snows gather quietly
In addition to this poem, Ghibli’s newest animated film, Kaguya-hime no Monogatari, has also piqued my interest in classical Japanese. I went to see the film yesterday evening, and was not only extremely impressed, but deeply moved. It’s the kind of film that I want to show to my (currently nonexistent) children some day. As soon as the film ended I ran over to the bookstore and picked up a copy of Taketorimonogatari (the original story) that contains both classical text, notes, and a modern translation.
Before going to see the movie I had tried to explain to one of my friends what the original story was about. It had been years since I read an abbreviated version in English, and I did a horrible job relaying the tale in Japanese. I’d like to spend some time memorizing classical stories and poems this year, not only as a way of improving my Japanese, but as a way to spend more time with oral narration in general. It’s a great tradition, and it feels like something that has less and less of a place in people’s lives these days. At the very least, it has steadily disappeared from my own life over the years.